POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

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AI & TECHNOLOGY: THE STAKES ARE HIGH, TECH IS HIGHER

AI for climate change is not a silver bullet, it’s a game-changer. It offers a powerful toolkit to mitigate the crisis, but it’s up...

ALTERNATIVE ENTERTAINMENT: A DEEP DIVE INTO THE SOUL OF CLAY

Kaul’s films were revelations even when the themes were well-known and had ancient roots, like dhrupad and pottery. He avidly hunted for ...

FESTIVALS: A DAY OF DREAMS AND ACHIEVEMENTS

Whistling Woods International (WWI), the torchbearer of excellence in media and creative arts education, commemorated its 16th Convocation...

TRENDING: IS APNA TIME AAGAYA HERE?

Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...

INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

ALLOW CHILDREN TO WATCH FILMS AT FILM FESTIVALS

12-year-old Kaurwakee Vasistha questions the business in which children are employed to perform and be a part of practically e...